Every Stevie Nicks fan knows all about the allure of the magical woman. From her iconic wild twirls to “Rhiannon,” a song about an old Welsh witch that entranced audiences across arenas worldwide, to — despite having had many lovers — defiantly remaining a successful single woman through her 70s and counting, the revival in the cult of Stevie speaks volumes about our current cultural values. In a political age that threatens to bring social progress back into medieval times, there has never been a more opportune moment for the celebration of female power. 

Since early on in its inception, street art has gone hand-in-hand with fashion. Keith Haring’s figures have influenced many fashion collections, and more recently, so have Banksy’s, popping up everywhere from couture to tattoos to t-shirts. From Jean Paul Gaultier’s frequent graffiti-inspired runway looks to Louis Vuitton’s 2013 collaboration with street artist EINE, the runway has been borrowing from the subway for as long as we can remember.